The atgof website

Thursday, December 23, 2010

Corrick Collection

















Beautiful early films made in Britain, France and Australia in the
Corrick Collection at the NFSA.

Monday, December 20, 2010

Nadolig Llawen - Merry Christmas










During the last few weeks, the weather here in Wales has been very wintry, and it's been difficult to get our of the house, let alone get into work. We're not used to -16c degrees, and trying to keep warm, clearing snow and gritting has taken over from blogging!

Many of my colleagues have had great difficulty travelling into work, as the local authority in this area just doesn't clear "minor" roads, and schools it sometimes seems, close at the sight of snowflake.

Wishing all readers and bots a merry Christmas and a happy New Year!

Nadolig Llawen a Blwyddyn Newydd Dda!

Regards

Iestyn

Thursday, December 9, 2010

Vacancy: Business Projects Assistant Europeana

A revised vacancy notice for a Business Projects Assistant
on Europeana has been issued, as follows:

This new role will support our Business Development Manager
with administrative tasks to ensure an effective development
and management of our international partner relationships.

Key responsibilities will include:
Setting up and developing processes and databases to improve the
monitoring and registration of partner developments
Managing partner agreements and registration
Providing administrative support to partners e.g. ensuring
availability of relevant documents on website
Co-ordination of network activities between the Europeana
group of projects, partners and colleagues
Organisation and facilitation of meetings including
production and distribution of minutes
Developing management reports and presentation documents

Required skills and experience:
A minimum of 3 years’ experience ideally gained within a
business focused new media, cultural or IT environment
Demonstrable experience of setting up and running databases
High level Microsoft Office package skills especially Excel
and PowerPoint
Used to communicating with external partners and building
relationships
Excellent organiser, co-ordinator and planner with an eye
for detail
Self starter – able to work both independently and be an
enthusiastic team player
Excellent communication skills in English and preferably
one other European language
Able to work under pressure and to tight deadlines
Professional, analytical and productive. Routinely thinks
outside of the box

The benefits:
Salary scale 7 representing a maximum of €2.487 per month
42 days holiday per year
Annual bonus
Public transport travel costs paid
Central location 5 minutes walk from The Hague central
train station
Dynamic and creative multi-cultural international environment
with travel opportunities

Applications:
Please send your CV (in English) with a covering letter outlining
what interests you about this position quoting reference P BPA to
jobs.europeana@kb.nl
Closing date : 2 January 2011

Tuesday, December 7, 2010

Ghosts of Civil War

American Civil War Ambrotype and Tintype photographs from the collections of the Library of Congress.

Friday, December 3, 2010

Next steps for the MLA





The MLA (Museums, Libraries and Archives Council) has released a statement regarding the future of its staff and the sector it represents, following the decision of the Secretary of State (Jeremy Hunt) to close the organisation.

There will be a four month consultation with staff and unions, and all employees have been given notice that they are at risk of redundancy.

The complete notice can be found on the MLA website.

Thursday, December 2, 2010

Olympic Success for NSSAW










A film project between he National Screen and Sound Archive of Wales
and Coleg Ceredigion, Aberystwyth has been awarded the Cultural
Olympiad Inspire Mark. This prestigious award recognises exceptional
and innovative projects inspired by the London 2012 Games.

Non-print publications the BL way

Implementing the Draft Regulations for Non-Print Legal Deposit in the UK

FAQ from the British Library

Monday, November 29, 2010

Create a buzz - job vacancy the Hague

VACANCY : SOCIAL MEDIA MARKETEER

Founded in 2007 by the European Commission, Europeana.eu
is Europe's fast growing portal for digitised cultural and scientific heritage.
We are looking for a social media expert to join our creative and culturally
diverse marketing team. This position is a unique opportunity to bring
Europe's history to the future, applying modern communication concepts
to distribute cultural heritage content and engage end users across Europe.
You will be working in a dynamic, creative and multi-cultural environment
with a great deal of learning and knowledge sharing opportunities.

The role:

We are looking for a passionate and creative individual to successfully develop
and implement digital (social) marketing efforts to stimulate engagement of
online audiences, maximize usage of Europeana content and create awareness
of the Europeana brand. In this role you will play a key role in developing
Europeana's position in social media and will be responsible for all stages of the
online marketing process, from planning and development to execution and
performance analysis.

Key responsibilities will include:

To conceptualise and execute social media campaigns, leveraging social
networks to maximize usage of Europeana content

Achieve postings of Europeana-related content on relevant blogs and
social networks

Monitor usage of Europeana content at all levels, both on the portal and
through API's and widgets

Identify and pitch relevant sites and bloggers, establish blogger
ambassadors programmes aimed at the Europeana audience

Manage video-sharing uploads and viral video programs

Generate buzz, build awareness, drive site traffic and tune-in through
editorial marketing programmes

Coordinate all search engine optimisation activities

Develop ground breaking new initiatives

Required skills and experience:

The ideal candidate has 4-6 years' marketing experience including a
minimum of 2 years' in social media marketing.

You will preferably have experience within the cultural sector and/or
an educational background in the cultural or media sector with ideally
a University degree in Media studies or Humanities (Arts, History)

Essential areas of knowledge are Search Engine Optimization, Web
analytics and how to use social media for engaging end users and
growing brand awareness.

Excellent written and verbal English communication skills

Strong interpersonal, problem solving and time management skills

Able to travel within Europe when necessary

The benefits:

A basic salary of between €3,000 and €3,500 gross per month
depending on experience level.
42 days holiday per year
Annual bonus (around 8%)
Central location 5 minutes walk from The Hague Central train station
Public transport travel costs paid

Europeana's home base is located in the centre of The Hague, hosted
within the Dutch Royal Library (Koninklijke Bibliotheek). We are an
international, enthusiastic, friendly and motivated team of 40 representing
more than 15 nationalities. For more information see:
http://europeana.eu/portal/aboutus.html

Applications and process:

Please send your CV (in English) with a covering letter outlining what
interests you about this position and your salary expectations
to: jobs.europeana@kb.nl

If you have any questions before applying please contact our
Marketing Communications Manager - Anne Marie van Gerwen
[via annemarie dot vangerwen (at) kb dot nl]

Closing date : Friday 17th December

Interviews to be held in the 2nd week of January 2011

Thursday, November 25, 2010

Europeana - country stats

EU press release - unsurprisingly supporting Europeana - but listing the proportion of material loaded by country. France tops the list.

Thursday, October 28, 2010

AV Archives in the 21 century - conclusions

Conclusions and presentations from AVA21 (Ghent 13-14 October) are available here.

Wednesday, October 27, 2010

It's personal now






iui2010 conference workshop
Feb 13 - 16 2011

This workshop will focus on the specific challenges
for personalization in the cultural heritage setting
from the point of view of user interaction and visitor
experience.

It will investigate how the user interface - the contact
point of visitors and systems - can become more intelligent
by means of personalization. Overall, the workshop will aim
at attracting presentations of novel ideas for addressing
these challenges and the current state of the art in this field.

Want to take part? -
November 12, 2010: paper submission deadline
December 12, 2010: notification to authors
December 19, 2010: submission of camera-ready papers

Twitter hashtags #patch2010 and #iui2010

Monday, October 25, 2010

Ethical Principles for Sound & Audiovisual Archives

"Ethical Principles for Sound & Audiovisual Archives” has now been published on the IASA website.
It adds to IASA’s already impressive array of publications and complements
"Technical Ethics" (TC03), but extends ethical thinking beyond the technical.

"Ethical Principles for Sound & Audiovisual Archives” will be discussed at the
joint IASA/AMIA conference
in Philadelpia 2-6 November


Sunday, October 24, 2010

ARSC travel grants

Via ARSC...
The Outreach Committee of the Association for Recorded Sound Collections
(ARSC) posts the following message. If you have any questions, please click
on the link below.

--- ARSC CONFERENCE TRAVEL GRANTS ---

Application Deadline: December 10, 2010

The Association for Recorded Sound Collections is now accepting
applications
for ARSC Conference Travel Grants to be awarded in 2011.

The grants are designed to:
-encourage ARSC members to attend their first ARSC conference
-each out to college students and professionals in the early stages of
their careers
-promote mentoring and professional development opportunities
-advance scholarly research and publication
-support ARSC members who desire to participate more actively in the
association.

Grant recipients are awarded:
-complimentary registration for the entire ARSC Annual Conference
-gratis registration for the Pre-Conference Workshop, and
-reimbursement up to US$750 to defray the expenses of transportation and
lodging (upon approval of valid receipts, to be submitted after the
conference).

At the time of application, the applicant must be a member of ARSC in good
standing, planning to attend his or her first ARSC conference.
The applicant
must also be one of the following:
-a college or university student aspiring to work with sound recordings
-a recent graduate seeking a professional position involving sound
recordings
-a professional within the first five years of his or her career, who
has demonstrated a dedication to sound recordings
-a researcher or discographer showing compelling prospects for the
publication or dissemination of his or her scholarly work.

Applicants who demonstrate an interest in serving on an ARSC committee,
publishing their work in the ARSC Journal, or presenting at an ARSC
conference will be given particular consideration.

Each applicant must submit:
-a letter of application describing the applicant's background and
current activities, clearly indicating why the applicant merits
consideration for an ARSC Conference Travel Grant
-a proposed budget for travel costs
-an itemization of any non-ARSC funds that the applicant may receive
toward ARSC conference attendance, such as institutional support, etc.
-a brief resume or curriculum vitae, and
-two letters of support, sent separately.

Further info and how to apply.

Friday, September 10, 2010

Fellini in Madrid

Fellini exhibition moves to Madrid until December

Digital Future of the European Cinemas

Digital Future of the European Cinemas

15th of September in the European Parliament, Digital Future of the European Cinemas will address the challenges for the future culture industry and the opportunities it creates for the modern regions

boosting cultural heritage online

Digital Agenda: Reflection Group on digitisation seeks views
on boosting cultural heritage online.

Excerpt from website...

The European Commission's Reflection Group ("Comité des Sages")
on digitisation launched today a consultation on how best to foster
the online presence of cultural heritage. As Europe's creative and
cultural sectors undergo a revolutionary transition, innovative
solutions are needed to keep up with technological advances and
reap their full benefits. The Commission has asked the
Reflection Group to look at how best to speed up the digitisation,
online accessibility and preservation of cultural works across Europe.
Contributions to this consultation will feed into the recommendations
the Group will make before the end of the year (see IP/10/456).
The consultation will run until 30 September 2010. ...

preserving Europe's digital data for future generations

ICT research: preserving Europe's digital data for future generations

Excerpt from the website...

Tools developed using EU funds to ensure that digitally stored data
can be preserved, accessed and understood for the indefinite future
are now available in the form of open source software.
The EU's CASPAR (Cultural, Artistic and Scientific knowledge for
Preservation, Access and Retrieval) research programme involved
researchers from the Czech Republic, France, Greece, Israel, Italy
and the UK. This work complements initiatives such as Europeana,
the European digital library (see MEMO/10/166). The EU has
contributed € 8.8 million of the €15 million total cost of the project
under the European Commission's research funding programme
(Sixth Framework Programme 2001-2006). Until now large
volumes of electronic data such as official records, museum archives
and scientific results have been unreadable or at risk of loss because
newer technologies could not read it or allow current users to
understand it. Application of ICT research to benefit Europe's citizens
and businesses is a key element of the Digital Agenda for Europe adopted
by the Commission in May 2010
(see IP/10/581, MEMO/10/199 and MEMO/10/200)....

Web Initiatives Librarian

Interesting job in Canada, Web Initiatives Librarian at
Wilfrid Laurier University (Waterloo, Ontario, Canada)

Sunday, September 5, 2010

UCLA Symposium: Reimagining the Archive



International Symposium at UCLA on November 12-14, 2010

Reimagining the Archive: Remapping and Remixing Traditional Models
in the Digital Era. Bringing together top media and
information industry
professionals,archivists, and
media/archival scholars, the event will
explore what it means
to archive in the digital future. Broadly organized
around the
themes of *transition*,*navigation*, and *curation*, the
event
will consider the consequences of digital technologies for all
aspects of media and archival scholarship, cultural production,
and cultural heritage.

Please find further information on the website:



Friday, August 27, 2010

Audiovisual Archives in the 21st Century

This conference will take place in Ghent, on Wednesday 13 and Thursday 14 October 2010 in the frame of the International Film Festival of Ghent.
The detailed description of the event can be found here, together with all information regarding registration, meeting venue and background information.
The registration will close on 20 September. As room is limited, please register early to avoid disappointment.

Europeana Open Culture Conference

From the conference website...

14-15 Oct 2010 | Amsterdam

Europeana Open Culture 2010 conference will focus
on how museums, libraries, archives and audiovisual
collections can create public value by making digital,
cultural and scientific information openly available.

Europeana invites cultural institutions, information
professionals, application developers and technology
researchers to explore the risks and rewards of
openness - of code, data and content - and work together
towards Open Culture.

The Europeana conference is a free annual event which
highlights current challenges for our sector and looks for
practical solutions for the future. It connects the main actors
in cultural and scientific heritage in order to build networks
and establish future collaborations.

Thursday, August 19, 2010

Film, History and WWII








Going to war, 1939-45: Film, history and the Second World War

22-23 October 2010

From the IHR website...
"The Second World War remains the most filmed historical
phenomenon of modern times. Neither cinemagoers nor film
producers seem to tire of epic battles at sea, on land and in the
air, heroic POW adventures, and dramas set on the Home Front.
The world at war at mid-century is a defining moment in our
modernity, and film has become one of the main media through
which we locate ourselves in relation to the recent past.
But the Second World War was also the heyday of cinemagoing in
societies throughout Europe and North America, and the war itself
brought about major changes in the technologies and uses of film,
from the amateur camera to the official government newsreel and short.
So the role of film in war needs to sit alongside our understanding of the
representation of war in film. With this aim in mind the latest
IHR Winter Conference has assembled a distinguished cast of film directors
and film historians to discuss, debate and view the war on screen."

The full conference programme is available here.

Monday, August 9, 2010

Keeping it in context

First EUscreen International Conference on
Content Selection Policies and Contextualisation

Location: Casa del Cinema. Largo Marcello Mastroianni 1,
Rome, Italy.

EUscreen has organized a two-day conference on content
selection policies and contextualisation in the audiovisual domain,
to be held in Rome on October 7 and 8 2010. The conference will
focus on contextualisation of audiovisual material, especially in the
academic field. The conference programme is still under construction,
but the first day includes a plenary session focussing on
contextualisation of audiovisual material with keynotes and
presentations of use cases.
The second day comprises two workshops: one on European IPR
legislations in the audiovisual sector and the impact on the exploitation
of audiovisual and television archives, and one on best practices and
guidelines for digitising audiovisual heritage.

Friday, August 6, 2010

Best Archives on the Net










Best Archives on the Net

The Best Archives on the Net awards - re-purposing descriptive data.

The Smithsonian example sounds very interesting and useful. So much for one-size-fits-all collections management solutions.

Wednesday, July 28, 2010

Carve up your collections
























(Image linked from Scott Marr's blog - thanks)

I'm not sure that as a sound archivist I should condone this...but somehow I do.

Carved records by Scott Marr

Monday, July 26, 2010

Savage sector cuts in the UK

It was announced today that there would be savage cuts in the UK umbrella bodies responsible for the archive, library, museum and film sectors. All these sectors fall under the remit of the Department of Culture, Media and Sport (DCMS).

The curt press release, ironically titled "DCMS improves efficiency and cuts costs with review of arm's length bodies" can be found here.

Friday, July 23, 2010

Software development opportunity

One of the most interesting current developments at NSSAW is the off-air capture and integration project. The NSSAW, being part of the National Library of Wales, is a Designated Archive, allowed to record programmes off-air, and over the decades has built up a substantial access collection of TV and radio. During the last couple of years it has switched off-air recording from analogue to digital.

The Library now has a vacancy for a software developer to complete the integration of the digital capture service with the main library information management systems, including the implementation of a novel access mechanism for our users.

Details of the post, closing date 2 August, can be found on the NLW website

Friday, July 16, 2010

UNESCO recognition for Wales



















The1918 film "The Life Story of David Lloyd George" has received recognition by UNESCO as being of "outstanding value and importance", receiving an inscription to the UK Memory of the World Register earlier this week. The film is cared for by the National Screen and Sound Archive of Wales, at the National Library in Aberystwyth.

Tuesday, June 8, 2010

Knowledge = Information in Context

Europeana White Paper No. 1: Knowledge = Information in Context

Europeana's first White Paper looks at the key role linked data
will play in Europeana's development and in helping Europe's
citizens make connections between existing knowledge to achieve
new cultural and scientific developments. Without linked data,
Europeana could be seen as a simple collection of digital objects.
With linked data, the potential is far greater,
as the author of the white paper, Prof. Stefan Gradmann, explains.

Via CEG

European Standards on interoperability of film databases

European Standards on interoperability of film databases - EN 15907

The European standard EN 15907 "Film identification -
Enhancing interoperability of metadata" was approved
according to the CEN (European Committee for Standardization)
procedures on 11 May 2010. 16 CEN Members voted in
favour and 13 abstained. No member voted against this
European standard.

The next step is the implementation of this European standard
as a national standard by national standardization bodies.

Via CEG



Friday, April 16, 2010

Take a Break - animation posters and cool ipad cat

This blog is taking a couple of weeks break. Hopefully will be back after the JTS and FIAF conference...

In the meantime have a look at "the evolution of animation film posters"

Or have a giggle...




Bye for now.

Wednesday, April 7, 2010

Archives Hub

The Archives Hub (UK) now has a new website.

Tuesday, April 6, 2010

Baltic Conference

"Back to analogue: preserving audiovisual resources for
digitisation and posterity"
Call for Papers

Hosts: LSAAD (Latvian State Archive of Audiovisual Documents),
Directorate General of the Latvian State Archives, with support from
the NLL (National Library of Latvia)
The deadline for abstracts is April 30, 2010.
BAAC annual conference takes place this year in
Riga, Latvia,
October 4-6, 2010.
We are returning to the birthplace of the original “Riga Seminar”.
The Conference will be hosted by the Latvian State Archive of Audiovisual
Documents with support from the National Library of Latvia.
Libraries, museums, archives and other memory institutions are responsible
for audiovisual collections that are part of our cultural heritage. In recent years,
many local and international projects have focused on digitisation initiatives,
creation of access to born digital and digitised content. However, issues related
to safeguarding of analogue collections are not discussed so often.
Good preservation practices for analogue carriers are very important, not least
because there are many organisations which have limited resources for digitization.
Even large national institutions need to deal with maintenance of accumulated
analogue assets.
This conference will provide a platform for the exchange of know-how and
discussions regarding restoration, conservation and preservation of analogue
audiovisual collections. Experts in the field are expected to share their knowledge
about best practices, methods and techniques. Professionals, who are more
involved in digital activities, will learn more about the variety of analogue carriers,
their formats, mechanical and chemical properties.
Major aspects to be discussed:
Analogue collection preservation – threats, challenges and risk management
Handling and storage – best practices
Documenting and cataloguing
Content description
Types and formats
The conference will be conducted in English.
Details and address for sending abstracts can be found here

Thursday, April 1, 2010

Learning on Screen






Marcus du Sautoy to present Learning on Screen 2010


Professor Marcus du Sautoy OBE will be at this year's BUFVC Learning
on Screen Conference, taking place on the 27th and 28th April 2010 at
The Open University in Milton Keynes, and will present the Learning
On Screen Awards ceremony, taking place on the evening of the 27th.

Marcus du Sautoy is the author of 'The Music of Primes' and
presented the BBC Four series The Story of Maths. He is Professor of
Mathematics and Charles Simonyi Professor for the Public
Understanding of Science at the University of Oxford. For further
details, please visit: http://people.maths.ox.ac.uk/dusautoy/

Learning on Screen will explore the challenges facing staff and
students in the increasingly important area of distance learning,
with particular focus on copyright and legal considerations and new
technical developments.

To read the full programme and for booking details, please visit:
http://bufvc.ac.uk/learningonscreen

Wednesday, March 24, 2010

Film Restoration Summer School

Details of the Film Restoration Summer School / FIAF Summer School are now available.

* Distance learning 18 May - 22 June
* Il Cinema Ritrovato Film Festival 26 June - 3 July
* Restoration Practice 5 July - 16 July

Full details are available here.

Monday, March 22, 2010

bfi Wrexham Mediatheque






























The bfi Wrexham Mediatheque was opened today by Ruth Jones (of Gavin and Stacey fame). The Mediatheque is curated in association with the National Screen and Sound Archive of Wales.

The Mediatheque is located in the newly-refurbished library in the town centre.

More pictures here (flickr)

Monday, March 15, 2010

Film database interoperability standard

Via CEG...

European Standards on the Interoperability of Film Databases -
Vote on the second standard
The Commission issued a standardisation mandate to CEN
(European Committee for Standardization) for the adoption
of European standards aimed at making possible the
interoperability of film databases in 2005. As a result
of this mandate, CEN has adopted the European Standard
EN 15744:2009 "Film Identification – Minimum metadata set
for cinematographic works".

The vote of the second standard prEN 15907 "Film Identification –
Enhancing interoperability of metadata – Element sets and
structures" started on 11-03-2010 and will be open
until 11-05-2010.

Film archives have the opportunity to vote on this standard
through their national standardization body.
The list of national standardization bodies is available here:



Promoting the Use of European Standards on the Interoperability
of Film Databases. The European Commission finances a project for
promoting the use of the European standards on interoperability of
film databases, under the EU programme "ICT Standardization" .
The project started in December 2009, and will run for 2 years.
It is managed by DIN

In order to recruit the experts for carrying out this project, DIN has
launched an "Open Call for Project Team Experts". The deadline for
applications has been extended until 20 March 2010.

For more information:
Dr. Nikolaus Kovacs, Secretary CEN/TC 372
DIN - German Institute for Standardization Information Technology and
selected IT Applications Standards Committee.

Saturday, February 27, 2010

Social media video update

I seem to remember posting a similar video a few months ago in the "exponential change" post.

But this is just as interesting.

Stop the planet I want to get off.

Friday, February 26, 2010

Alice at the Bates Hotel

There's an Alice in Wonderland Centre in Llandudno in north Wales (aside - I used to love the old railway poster, extolling Llandudno as "the Naples of the North"). Why? Because Alice Liddell, the little girl who inspired the book, used to stay there with her family, in a holiday home built by her father, Henry. The house became a hotel, and was to be - or has, I don't know, been demolished. There's a lovely picture of the house here, on the Daily Post website. Please take a peek.



















You'll see from the picture that the house is more Bates Hotel than cutsey rabbit hole.









The British Library (surely they're not piggy-backing on Alice-hype ;-) have an Alice exhibition. An Alice event. An "Alice Gallery" open until June?

Which brings me in a round-about way to the new 3D Alice blockbuster-to-be by Tim Burton, which I'm looking forward very much to seeing - will Alice be miss Bates or miss Cutey? In the meantime, as I await the Aberystwyth premiere, I'll amuse myself with this 1903 film adaptation restored by the bfi.

Wednesday, February 24, 2010

Where and when


















Today was an interesting day...

The picture above is a still from a film we've discovered at work, and it is quite an nice find. The picture appears to show new bards, writers, artists etc. being initiated into the Gorsedd at a National Eisteddfod.

The Gorsedd, led by the Archdruid, meet to perform this ritual at a special bardic circle - a row of large-ish stones implanted into the earth to form a circle, with a "main stone" called the Maen Llog in the middle. You can see one of the stones in the picture. The National Eisteddfod, being a moveable feast, visits a different area of Wales (and sometimes beyond, see below) each year.

Typically, two major ceremonies are carried out at the stone circle, one being the Eisteddfod Proclamation, which is carried out the year before the Eisteddfod takes place in the area, the second being the initiation of the new Gorsedd members, which occurs during the Eisteddfod.

So, how do we know that this is an initiation, rather than a proclamation ceremony? Well, look carefully at the row of "bards" lining up. They are not wearing a headress; indeed they have that part of the ceremonial robe draped over their arm. They will only wear the headgear once they have been accepted into the Gorsedd.

As this ceremony takes place
during the Eisteddfod, we can assume that this piece of film was shot at the event. But which event, and where?

We've compared the image with postcard views of old Eisteddfodau, and are leaning towards the Liverpool National Eisteddfod of 1929. If it was the proclamation, then it would be dated 1928. And that's as far as we've got.

The Gorsedd was established in 1792 (at Primrose Hill - "Bryn Briallu") in London, while the first eisteddfod which can be called "national" took place in the year 1176 at Cardigan, under the sponsorship of Lord Rhys.

If you happen to be an expert on the Eisteddfod, and instantly recognise the location, please let me know! While our "educated guesses" are more often than not correct, it would be a great help to get confirmation one way or another.

The picture below is a still taken from the same film. This would appear to be a proclamation ceremony, and the location is easily identified as being Cardiff Castle. The 1938 National Eisteddfod took place in that city, and so the footage was shot in 1937, which fits perfectly with what we believe to be the date of the film.

Detective work is so much more rewarding than attending committee meetings.















PS. The Gorsedd nowadays use a set of portable plastic or fibreglass stones to form the circle. Things just ain't what they used to be. But as has just been pointed out to me, at the first meeting of the Gorsedd in 1792, the leader of the pack, Iolo Morganwg, laid out the circle in small pebbles taken from his pocket.

Tuesday, February 23, 2010

For Filmmuseum Biennale read Film Biennale





Filmmuseum Biennale has changed its name. Below is a synopsis taken from a recent email regarding the Film Biennale. The event sounds like an extravaganza, and archivists please take note of the last two paragraphs.

7 April
Opening night: Michael Nyman performs The Man with a Movie Camera
The Film Biennale will kick off in Muziekgebouw aan ’t IJ with the
screening of /The Man with a Movie Camera/. Dating from 1929, this
cinematographic masterpiece by Russian film pioneer Dziga Vertov
continues to impress with its power.

8 April
The Bankruptcy Jazz Live!
One of the highlights of the Film Biennale is the multimedia film
experience The Bankruptcy Jazz Live! It is the recent and only film
based on a scenario written by Belgian poet Paul van Ostaijen in 1921,
at a time when Europe was still in ruins. It is the world’s first true
Dadaist scenario. The work features a 1920s style, employing an
experimental, Dadaist collage technique to combine ready-made film
footage and audio. The result is a turbulent, avant-garde spectacle.
During the Dutch premiere in BIMhuis, The Bankruptcy Jazz will be staged
with singers, actors, a children’s choir and jazz band conducted by
composer Wouter van Bemmel. Van Bemmel will also make use of voice
samples, sound effects, and music excerpts. Frank Roumen of EYE is
directing the performance.


FILM3
The Film Biennale will open a new exhibition, FILM3 [kyü-bik film], on 8
April, in Culture Park Westergasfabriek, showcasing new installations
and performances by eleven young film artists.

10 April
Sessue Hayakawa: Hollywood’s first exotic superstar
Sessue Hayakawa (1889-1973) is primarily known for his role as the
Japanese colonel in David Lean’s /The Bridge on the River Kwai/ (1957).
Less well-known is the fact that he was the first non-Caucasian
Hollywood star and producer, and with his good looks and intense gaze he
was also a veritable hearthrob in second decade of last century.

8,9,11 April
Meet the MoMA
American film collection highlights
During the Film Biennale, The Museum of Modern Art in New York (MoMA)
will present a selection of films from its renowned collection.

11 April
Baba Zula plays Enis Aldjelis
Rounding off the Film Biennale is a spectacular performance by
internationally acclaimed Turkish group Baba Zula, which will accompany
the screening of Ernst Marischka’s film Enis Aldjelis in Paradiso.

9 April
Michael Curtiz before Hollywood
Before immigrating to the United States in 1926, Michael Curtiz,
director of the Hollywood classic /Casablanca /(1942), was an important
figure in the thriving Hungarian film industry. Between 1912 and 1919,
as Mihály Kertész, he made over forty silent movies – primarily popular
genres, but also a few propaganda films. The Film Biennale will dedicate
an entire day to the screening of his early Hungarian work, including
world premieres of the newly restored A Tolonc (1914, 70’) and/ Az
Utolsó hajnal/ (1917, 90’).

8 April
From Scratch to Screen
On 8 April, EYE Film Institute Netherlands will offer the general public
a behind-the-scenes look at film conservation. Throughout the day unique
discoveries and restoration projects will be shown, including several
world premieres. A number of films will feature an extra introduction.
Karel Doing for example, will present his Liquidator project, a
revolutionary digital adaptation of Willy Mullens’ silent film /Haarlem,
Adelheid Heftberger/ (Austrian Film Museum) and EYE-conservator
Mark-Paul Meyer will give a lecture on the restoration of /The Man with
the Camera/. With live music by Wim van Tuyl and Yvo Verschoor.

7 April
Seminar: The Reel Thing en AMIA
EYE Film Institute Netherlands is organising a seminar on 7 April
consisting of a morning and afternoon programme. The morning programme,
The Reel Thing, presents the most recent developments in the field of
film restoration and conservation, with demonstrations of both
traditional and digital techniques. Michael Friend and Grover Crisp,
both of Sony Pictures Entertainment, are organising this
state-of-the-art programme including various presentations.
The Association of Moving Image Archivists (AMIA), responsible for the
second programme, highlights current developments in archiving moving
images and forms an important international platform for people and
organisations involved in the acquisition, conservation, presentation
and application of film material. Those interested can attend either one
or both of these programmes.


More information

Wednesday, February 17, 2010

FIAF and JTS registration











The not-that-easy to find FIAF Congress and JTS registration form.

Note this info:-
Late registrants - between 31 March and 20 April will be charged
an additional admission fee of NOK 300.
Registration closes 21 April.

The city map, including location of congress/JTS locations and hotels.

Tuesday, February 16, 2010

BFM


































28th Bergamo Film Meeting website


March 6 - 24, 2010

Edit:- This reminds me - I have some old photos of Bergamo on flickr.

Monday, February 15, 2010

archif.com

One of the challenges of working in a bilingual environment (in my case English and Welsh) is that everything "public" has to be, more or less, supplied in both languages.

The original website for the National Screen and Sound Archive of Wales was actually two separate websites, with separate - and very long - addresses - one for the English site, one for the Welsh.

A couple of years ago, it was decided this was unsustainable, and that we should join with the (then) new National Library of Wales site, which is built on an integrated bilingual system. This would hopefully allow us to maintain and develop a web presence with our somewhat diminished resources. It was also a functional necessity, due to the fact that NLW (which includes NSSAW) was going down a "one database, one set of finding aids" route, and integrating this approach into the structure of the old website was a nightmare.

Nothing is simple, is it? I won't bore you with all the interesting challenges the wonderful people in the NLW Computer Dept. had to surmount (well, I would bore you, but I don't actually understand some of the problems!).

Today the website "went live". The first visible change is that we now have one address, archif.com which leads to a splash page, where the user can choose the language of the interface. However, the big difference for us is the CMS which manages the pages, and which allows us, in an integrated way, to load bilingual information. The other difference is that much of the site will now be driven by a "blogging engine", which the aforementioned computing staff have integrated into the system. This means that the core information about the Archive - which by nature is fairly static, can be added to fairly quickly with new information about things that are current at the time of writing.

It's obviously early days, and I'm sure we'll have a few hiccups, and I know we have a lot more to learn. On a personal note, I'll be sad that some of highly useable catalogues found on the old site have disappeared. But all the information held in them (ISYS and film catalogue) has been ported to the NLW Virtua/Vital system. In fact, this corporate catalogue houses, literally, hundreds of thousands of catalogue records for a-v material which couldn't be accessed via the old system. But more info often means that it can be harder to find exactly what you need, and those used to the super-easy to navigate film catalogue, will find things a bit harder. It's fairly easy to spot a big fish in a small pool, but the same size fish in an ocean is harder to catch, and the film data, and all the other a-v data come to that, now live in a gigantic pool of millions of catalogue records for everything from paintings to paper archives, to photographs, to books and periodicals.

Congratulations to my colleagues at NSSAW and NLW for getting the new site up and running.

Sunday, February 14, 2010

Crowdsourcing DVDs













Crowdsourcing to get National Archives (USA) DVDs onto the Internet Archive

Archives Next blog post here.

Link to the International Amateur Scanning League here.

Item on a National Scanning Centre.

Heritage microphones from the BBC

Nice video from BBC R&D on the history of some BBC microphones.

Happy Valentine's Day

























xxxx

Film Preservation Blogathon













Raise money for the National Film Preservation Foundation (US) by blogging on film!

Ffrom Siren.

and Flickhead

You can donate to the invaluable work of the foundation here.

Thursday, February 11, 2010

Indie digital cinema conference

Nice warm sunny conference in Barcelona on digital cinema challenges. 4 - 6 March. Sounds quite big - 200 attendees.

Under the auspices of the Spanish presidency of the EU.

Wednesday, February 10, 2010

Modern copyright for digital media

One and a bit day, slightly weird sounding conference "Modern copyright for digital media" 17 March, at the EU Parliament.
"Facing a changing media environment - solutions for a modernized copyright"
"Join us for a live TV show where we will showcase public service media content on all platforms and address some challenges raised by the copyright framework. Hosted by two presenters, the television production will be an interactive talk show with live interviews, video clips and a live music act.

In a separate session the EBU will put forward its ideas on copyright modernization and will then open the discussions to the floor for an interactive panel debate."

Ffresh





Spring is nearly here, so it's time for the Ffresh film festival.
11 - 12 February, Aberystwyth Arts Centre

I wish I was a student again, rather than a sponsor.

Lords reject format-shifting

In a very late night "debate", the Lords reject several amendments proposed for the Digital Economy Bill, including the all important right to format-shift, which it says should be agreed at an EU level. Article in paidcontent here.

i2010 Digital Libraries Initiative

High level EU Expert Group report on Digital Libraries

Tuesday, February 2, 2010

BL Moving Image blog


The new British Library Moving Image Blog.

If anything approaching the quality and scope of the Bioscope, Luke McKernan's latest blog venture will be essential reading from now on.

Monday, February 1, 2010

LoC optical lab


Very interesting post by Matt Raymond on the new LoC optical lab, and the benefits it brings to non-invasive preservation & understanding how all kinds of objects were created and how they may have changed over time (including daguerreotype photos).

Canvas opinion

Last chance to contribute to the Canvas consultation. Closes 2nd February.

Sunday, January 24, 2010

Dave Berry 1943 - 2010


Dave Berry, Film Historian
1943 - 2010
We received very sad news on Friday afternoon of the death of Dave Berry, the doyen of Welsh film, who worked tirelessly as Research Officer for the former Wales Film and Television Archive, and later the National Screen and Sound Archive of Wales, until his retirement a few years ago.

Born in Bolton, his career as a journalist moved him to Cardiff, where he worked for may years for the South Wales Echo. He loved all aspects of film, especially the works of the silent era, and eventually left the Echo to write the masterpiece "Wales and Cinema: the first hundred years" which was published by the University of Wales Press (new ed 1996).

There are several tributes to Dave already posted on the web. I'm sure there will be many more over the coming days.

Llyfrgell Genedlaethol Cymru / AGSSC

Nat. Library of Wales / NSSAW
The Bioscope
Facebook
BBC
BBC Cymru
Wales 0n-line
Some flickr photos

Dave had the ability to be infuriating, lovable, erudite, endearing, stubborn, helpful, hindersome, meticulous in his research yet hopelessly vague in his adherence to corporate rules, all at the same time. It was a pleasure to know him; a privilege to have worked closely with him, and help him achieve some of his goals for Wales's screen heritage.

I extend my sympathies to all those, near and far, who are now grieving a great personal and professional loss.

Tuesday, January 19, 2010

Adieu Kate McGarrigle




Sad news that Kate McGarrigle has passed away.

Kate remembered at Radio Canada (in French)

Photo: Radio Canada

Times (UK) obituary article.


Sunday, January 17, 2010

Neil Brand


An interesting post in The Bioscope on Neil Brand, who's talents go far beyond silent cinema.

Saturday, January 16, 2010

IRTeM doomed

The internationally renowned Italian music research collection IRTeM appears "doomed".

For information, please view this blog post.

There is a Facebook group "save IRTeM", for what such things are worth.

Haiti crisis

Blue Shield Network statement on the crisis in Haiti (may change, as the statement is on the home page.

How to donate funds (UK)

Tuesday, January 12, 2010

Film database interoperability standard

Via EFG...

The CEN Formal Vote on the draft European standard prEN
15907 "Film Identification – Enhancing interoperability of
metadata – Element sets and structures" will be launched on
11/3/2010, until 11/5/2010.
This is the second of the European standards mandated by
the European Commission to improve the facilitate the
interoperability of film databases.
Film heritage institutions who will to participate in the vote
should contact the national standardization body of their country.
The list of these organizations is available here.